Mind
“Clarity is not loud. It arrives when the noise stops.”
Definitions
I don’t have all the answers,
but I know the definitions.
“Some answers arrive through endurance.”
The only friend I have
is this pen.
When nobody’s phone is working,
I’m writing
until my hand starts hurting.
I don’t have all the answers—
but I know the definitions.
What We Never Sat Down to Say — Part II
I abused because I was abused.
That explains the pattern—
not the damage.
“Truth doesn’t ask permission. It asks for responsibility.”
You told me my family hates me.
My children hate me.
Your family hates me.
Your mother couldn’t stand me.
The truth is —
I loved all of them.
Until I stopped listening.
Until I stopped letting your experience
rewrite our reality.
You learned how to isolate pieces —
delicate ones —
and tear them apart.
I said things I didn’t mean.
But I meant the pain.
My words fought back
when my fists should have stayed still.
You were right to say I wasn’t shit —
because I hit you.
I abused because I was abused.
That explains nothing.
It excuses nothing.
But the truth doesn’t stop there.
You were abusive too —
to me,
and to our children.
I remember the day clearly.
The screaming.
The crying.
The yelling.
A child slapped for not listening.
Breath knocked out of a body
that trusted us.
I reacted.
Violently.
Protectively.
Wrongly.
But hear me when I say this:
Do not ever harm my children.
Do not ever touch them in anger.
I will choose consequence
before I choose silence.
That’s not pride.
That’s a boundary written in bone.
This is not a victory story.
This is a reckoning.
And reckoning is where healing either begins —
or never does.
The Inkwell
My notebook is an inkwell. When emotion hits the page, it changes the paper. This piece reflects on how structure, discipline, and intentional breaking of rules shape the way I write and think.
“Every line holds weight once it’s stained.”
My notebook is an inkwell.
When a tear hits the page,
the ink stains.
The paper swells.
Lines solid.
I always hated college rules.
I used grids instead—
so I could break it down
like astrophysics.
Speaking Through Masks
I used characters to survive.
I speak raw to understand.
“I used characters to survive.
I speak raw to understand.””
I created characters to speak from the parts of me that didn’t have the courage yet. They carried what I couldn’t say. But that isn’t all of me. I’m raw, uncut, unfiltered—and I like it that way. Sometimes the only way forward is to return to the dead end and study it.
Longevity
I wasn’t built for moments.
I was built to last.
I want my scriptures to sing—
not loudly,
but with the discipline of a choir
that practiced long before it was heard.
I want the work to outlive me.
Not my name.
The work.
I’m not aiming for fans.
Crowds disappear.
I’m aiming for a seat—
with the scholar,
the professor,
the literature that gets studied
instead of skimmed.
Where psychology meets autonomy.
Where biology explains behavior.
Where creative writing isn’t decoration,
but evidence.
That kind of table doesn’t invite noise.
It invites patience.
So I write with care.
I revise with intention.
I learn what came before me
so I don’t mistake repetition for originality.
This isn’t confidence borrowed from applause.
This is commitment.
I got this.
Visibility
They see me.
They don’t see me right.
I’m monetizing now.
Not chasing attention—
controlling it.
Not everyone wants to read.
I accept that.
So I’m building a lane
for readers.
The algorithm doesn’t run on depth.
It runs on familiarity.
Not scripts.
Not stories.
Not long poems.
That doesn’t mean people don’t feel my work.
It means my work isn’t made
for every place.
So I adapt without compromising.
I leave short poems.
Quotes.
Quick sparks.
Something small enough
to move through the day with—
a caption that lives
longer than the scroll.
And for those who want more,
the door is open.
Doubt
I work in ratios: three by four, then zoom out to sixteen by nine.
I doubt my thinking.
Sometimes I feel like
whatever notebook I’m writing in
should be thrown out.
It doesn’t always feel
like people read anymore—
at least not the unnamed.
Still,
I work in ratios:
three by four,
then I zoom out
to sixteen by nine.
I have time.
Plenty of it
to show you.

